AES NY Convention 2020（国際音響学会）登壇
- CONFERENCE
ウィーンでのコンベンションに引き続き、AES NY Convention 2020（国際音響学会）でLennaのコンセプト、制作について発表します。（英語のみ）
“Artistic Immersive Sound Contents Creation using the 22.2 Multichannel Sound”
Toru Kamekawa, Kimio Hamasaki, Hideo Irimajiri, Miyu Hosoi, Misaki Hasuo
Immersive sound becomes the new trend of the audio industry, and many musical productions have been already carried out in immersive audio. The 22.2 multichannel sound system was developed in 2004 and has become the reference 3D multichannel sound system for the researches, subjective evaluations, and various international standards such as ITU-R. This workshop introduces recent production examples of the artistic immersive sound contents creations using the 22.2 multichannel sound and explains its advantages and features that previous music productions could not achieve.
Workshops panelists will discuss the benefits of immersive sound for the music creations and the several issues they encountered during their creations and productions concerning the immersive sound.
Immersive sound becomes the new trend of the audio industry, and many musical productions have been already carried out in immersive audio. The 22.2 multichannel sound system was developed in 2004 and has become the reference 3D multichannel sound system for the researches, subjective evaluations, and various international standards such as ITU-R. This workshop introduces recent production examples of the artistic immersive sound contents creations using the 22.2 multichannel sound and explains its advantages and features that previous music productions could not achieve.
Workshops panelists will discuss the benefits of immersive sound for the music creations and the several issues they encountered during their creations and productions concerning the immersive sound.