A story comes into being only when the actors and the sound coexist—this work sits in the liminal space between theater and installation. Throughout the performance, a large number of speakers installed in the venue constantly play white noise. Every bit of the noise is meticulously operated—from volume levels to playback positions for each speaker. For example, when an actor moves from a standing position to slowly clenching their right hand near their chest, the noise turns into rain; when they grip a steering wheel, it becomes a highway; when they gaze into the distance, it turns into a dark nighttime sea.